A Salute to the Women of Hanoi
Vietnam is in an exciting phase of progressive development. Already, one can see computer-gaming shops sprouting across select neighbourhoods. Wireless internet connectivity is freely available at many many places. More than what is available in Singapore. Despite these familiar signs of modernity, Hanoi still retains a unique charm, which I am not sure will linger very much longer. Yellow walls, Tudor-style architecture, everything seeming to be in tones of sepia, Hanoi is so reminiscent of the photos from a History textbook. It has a soul that is difficult to describe.
No where is this soul more alive than in the Old Quarters. The Old Quarters is a wire mesh of shops, so fine, walking the streets left me with a fear of not being able to navigate my way out. The weather was hot, and very humid, but diligent workers continued to sell bargain wares in shops ventilated by little more than basic fans.Women plied the streets with the traditional don ganh (yoke) on their shoulder. I tried carrying one of these, and even with a few fruits on the baskets, I would not consider it light at all. Weaving in and out of the streets, they dodged honking scooters, and moved away from cyclos, gently urging commuters to buy their goodies and Vietnamese wares. I would see them shouldering the don ganh from morning to night, with stoic resilience and quietness. Even into the late hours of the evening, the level of service they provided seemed to be consistent, and they, unwavering.
I had asked our guide the reason why only the women appeared to be working on the streets. His reply was that most of these women were not from Hanoi. They were from the surrounding villages. The men were likely to remain in the village to tend to the fields while the women would come out to the city to work. It was for the good of the family that the women ventured out, he said. There was this danger that the man might find another wife in the city and never return. When the women came out, they usually brought their young children with them. It was not uncommon to see them playing nearby. It seemed quite clear that the working woman was still expected to care for her children.We visited a pottery village one Saturday morning. Once again, noticing the relatively much fewer men working, I asked the owner where the men were. He said that it was a holiday and the men were out drinking. Ironically, the art of pottery at this village is so exclusive that it can only be inherited by a son to keep the art within the family. The owner inherited the business from his father. He has a few sons, each of whom takes care of a specific function that had been handed down by the father. A father can teach his art ONLY to his son, and not the daughter. Without a son, his art will die with him.
At the markets, a painting depicting the images of three women was a common sight. Apparently, the three women represented the Three Obediences of women: As a daughter, she was to obey her father, as a wife, her husband; and as a widow, her son. Reading on a little more (1), I learnt of the four virtues that women were expected to practise: “gentle in speech, pleasing in appearance, demure in behaviour, and skilled in the domestic arts of homemaking.” All these seem to point to a certain expectation of women that was more defined, explicit, almost as if being a woman required the fulfilment of more duties. In short, it seemed more difficult to be a woman. There is a lot for us— both men and women — to learn from the women of Hanoi in the way they go about their tasks, and yet fulfil their duties to their family.Of course, I would have to say that my analysis rests heavily on anecdotal evidence. However, as Chua Mui Hong of the Straits Times reminds us in "Real Income Divide" published on 6 November 2011, "anecdote can be the basis for insight".
The issue of gender in Hanoi is indeed an interesting one, considering how two women made it into the history books. The Trung sisters led a band of women warriors in an attempt to overthrow the Chinese. They lost, but their act of courage, is forever etched into the history books. If you see a statue of two women riding on elephants, these two are the Trung sisters. This was between A.D 40 and A.D 43.
Some of the women I have spoken to in Singapore seem to think that the glass ceiling exists here. I have been thinking hard about this. Yes, child-bearing does pose some challenges for women. I mean, if I were to put myself in their shoes, I would certainly find it absolutely challenging. But, I have seen female colleagues rise up the ranks despite being away for significant periods of time. Some women choose to stay at home to care for their children, or to be extra cautious when pregnant despite being informed of all the options available for them - half-load, three-quarter load, no-pay leave, etc. I guess they have a right to exercise that choice, provided that firstly, it is an informed one, and secondly, it is not forced upon them.
(1) Cultures of the World: Vietnam By Audrey Seah, Times Book International, 1994



